This site uses tracking cookies to evaluate the origin and behavior of the user.
Click on ACCEPT to allow the use of Cookies or click on DECLINE to continue anonymously

04 July 2025 Athens Exhibition Says the Revolution Could Begin on Your Plate | 04 June 2025 Artforum, "Diana Anselmo" | 16 April 2025 Frieze, "Must-See: The Tears of Karl Lagerfeld" | 16 April 2025 Süddeutsche Zeitung Magazin, "Mit welcher Haltung kommt man in der Kunstwelt am weitesten, Maurizio Cattelan?" | 09 April 2025 The Berliner, "Consider Listening: An exhibition urging calm amidst outrage" | 02 April 2025 Wallpaper, "Aboard Gio Ponti's colourful Arlecchino train in Milan, a conversation about design with Formafantasma" | 26 March 2025 Frieze, "Diego Marcon’s Films Conjure a Familiar, Grotesque World" | 19 March 2025 Arts Hub, "1500-degree molten steel installation, inspired by Caravaggio, to drip from the ceiling of Mona" | 15 May 2024 Frieze, "Silvia Rosi Gives Voice to Her Parents’ Migration Story" | 30 March 2024 The Korea Times, "Foreigners Everywhere: Artist duo who inspired this year's Venice Biennale lands in Seoul" | 07 February 2024 Artnet News, "Ceramics Are as Contemporary as a Smartphone: Chiara Camoni on Her Tactile Sculptures"

exhibition

back
Rosa Barba Transforms Lisbon's CAM into an Immersive Cinematic Landscape

last update 15 July 2026

Rosa Barba Transforms Lisbon's CAM into an Immersive Cinematic Landscape

Until 28 September, Rosa Barba (Agrigento, 1972) is presenting Rosa Barba. Drawing Vocabularies at the Centro de Arte Moderna Gulbenkian (CAM) in Lisbon.

With this exhibition, Barba becomes the third artist to be granted "carte blanche" to intervene in the museum's Nave space and select works from the CAM Collection, creating a multilayered narrative throughout the Mezzanine. Each work from the collection is presented as the protagonist of a dialogue with the body of work the artist has created for the lower floor. Barba has focused primarily on artworks that reveal the intrinsic visual qualities of words and writing, while also tracing her own creative process.

This speculative approach to histories, spaces of preservation and memory highlights the artist's longstanding interest in the archival potential of places where reality and fiction converge to generate new stories and hidden conversations. The exhibition also explores how archives can construct non-linear experiences of time.

The exhibition features visual and sound installations characterised by variations in light intensity, flickering effects and overlapping sound elements. These sensory features may cause discomfort or sensory fatigue for some visitors.

 

other exhibitions

all the exhibitions