04 July 2025 Athens Exhibition Says the Revolution Could Begin on Your Plate | 04 June 2025 Artforum, "Diana Anselmo" | 16 April 2025 Frieze, "Must-See: The Tears of Karl Lagerfeld" | 16 April 2025 Süddeutsche Zeitung Magazin, "Mit welcher Haltung kommt man in der Kunstwelt am weitesten, Maurizio Cattelan?" | 09 April 2025 The Berliner, "Consider Listening: An exhibition urging calm amidst outrage" | 02 April 2025 Wallpaper, "Aboard Gio Ponti's colourful Arlecchino train in Milan, a conversation about design with Formafantasma" | 26 March 2025 Frieze, "Diego Marcon’s Films Conjure a Familiar, Grotesque World" | 19 March 2025 Arts Hub, "1500-degree molten steel installation, inspired by Caravaggio, to drip from the ceiling of Mona" | 15 May 2024 Frieze, "Silvia Rosi Gives Voice to Her Parents’ Migration Story" | 30 March 2024 The Korea Times, "Foreigners Everywhere: Artist duo who inspired this year's Venice Biennale lands in Seoul" | 07 February 2024 Artnet News, "Ceramics Are as Contemporary as a Smartphone: Chiara Camoni on Her Tactile Sculptures"
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last update 24 June 2025
Serena Scapagnini first Italian artist in residency at the Yale Quantum Institute
Since 2017, the YQI program has fostered a deep dialogue between art and science: each year, one artist is invited to develop a project in close collaboration with physicists and researchers, with the goal of translating the complex, fascinating, and often counterintuitive principles of quantum mechanics into visual and poetic forms.
For her residency, Serena Scapagnini presents SUPERPOSITION, a cycle of three site-specific installations—in different locations across Yale—that explore the quantum concept of superposition—the ability of a particle to exist in multiple states simultaneously—as a metaphor for identity, memory, and the fragile balance between permanence and dissolution.
A SHARED IDENTITY
Yale Quantum Institute – Open to the public
This is the conceptual and visual heart of the project. The work represents quantum superposition as a space of coexistence between different dimensions of identity and memory. Composed of suspended copper structures, processed paper, and manually made engravings, the installation evokes neural networks and flows of luminous energy. At its center, a copper engraving depicts the superposition of particles in a pure quantum state, capable of storing memory in perfect balance before its natural dissolution. The work was created in dialogue with quantum physicists and reflects on the body as a field of transit for visible and invisible information.
STATE OF LIGHT
Yale Quantum Institute – Viewable by appointment only
This intimate and immersive installation explores the possibility that light might carry memory. Through the use of lightweight, translucent materials and reflective pigments, State of Light visualizes an ideal quantum state, motionless yet full of potential. The surfaces respond to changes in ambient light, creating an environment where perception itself seems to oscillate between presence and absence. Viewable by appointment, the work offers an experience of visual listening, balanced between science and contemplation.
REFRACTIONS
Library of the Quantum Institute – Open to the public during library hours
Installed within the Quantum Institute’s library, Refractions reflects on the transmission and dispersion of knowledge. The work takes shape through a series of interventions on paper and transparent materials that act as lenses or refractive surfaces, multiplying and distorting the meaning of images. Each element refers to the ways in which knowledge—scientific or personal—is transmitted, fragmented, and transformed. The library setting reinforces the idea of knowledge as something in constant motion and renegotiation.
other exhibitions
all the exhibitions
Paola Pivi’s exhibition I don’t like it, I love it opens at AGWA in Australia
exhibition05 November 2025
Maurizio Cattelan Awarded the Preis der Nationalgalerie 2026
agenda31 October 2025
"Art Under 35: The Foreign Challenge"
exhibition18 September 2025
Italy and Lithuania in Kaunas: An Encounter between Nature and Creativity
Echoes Between Forests and Mountains is the collateral exhibition of the 15th Kaunas Biennial (Lithuania), a collaboration between the Directorate-General for Contemporary Creativity of the Ministry of Culture, the Italian Cultural Institute in Vilnius, the Kaunas Biennial and the Gherdëina Biennial.The exhibition will be on display at the Kaunas City Museum and the Meno parkas Gallery from 12 September to 9 November 2025. It offers a stimulating dialogue between Italian artists — such as the Atelier dell'Errore collective, Arnold Holzknecht (Val Gardena, 1960) and Ruth Beraha (Milan, 1986) — and Lithuanian artists, including Aistė Ambrazevičiūtė, Andrius Arutiunian and Maximilian Oprishka.
The exhibition explores the complex relationship between nature, myth, technology and human intervention, inviting viewers to reflect on ecological processes, human stories and possible futures. The selected works offer new perspectives on the world, questioning the anthropocentric view and revealing the tension between beauty, instability and mystery.
The project is part of a broader two-year programme (2025-2026) dedicated to cultural exchange between Italy and Lithuania, aimed at promoting the artistic talents of both countries. The collaboration will conclude in 2026, when three Lithuanian artists will be guests at the 10th Gherdëina Biennale in Val Gardena (BZ), from 29 May to 13 September.
Atelier dell'Errore (AdE) is an artistic collective based in Reggio Emilia, dedicated to the visual and performing arts. Founded in 2015 by artist Luca Santiago Mora, the group now consists of 11 young neurodivergent artists.