04 July 2025 Athens Exhibition Says the Revolution Could Begin on Your Plate | 04 June 2025 Artforum, "Diana Anselmo" | 16 April 2025 Frieze, "Must-See: The Tears of Karl Lagerfeld" | 16 April 2025 Süddeutsche Zeitung Magazin, "Mit welcher Haltung kommt man in der Kunstwelt am weitesten, Maurizio Cattelan?" | 09 April 2025 The Berliner, "Consider Listening: An exhibition urging calm amidst outrage" | 02 April 2025 Wallpaper, "Aboard Gio Ponti's colourful Arlecchino train in Milan, a conversation about design with Formafantasma" | 26 March 2025 Frieze, "Diego Marcon’s Films Conjure a Familiar, Grotesque World" | 19 March 2025 Arts Hub, "1500-degree molten steel installation, inspired by Caravaggio, to drip from the ceiling of Mona" | 15 May 2024 Frieze, "Silvia Rosi Gives Voice to Her Parents’ Migration Story" | 30 March 2024 The Korea Times, "Foreigners Everywhere: Artist duo who inspired this year's Venice Biennale lands in Seoul" | 07 February 2024 Artnet News, "Ceramics Are as Contemporary as a Smartphone: Chiara Camoni on Her Tactile Sculptures"
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last update 03 February 2026
Patrizio di Massimo at the Estorick Collection
London-based artist Patrizio di Massimo (b. 1983) has been invited to present a new intervention in the permanent collection galleries of the Estorick Collection. The intervention is co-organized with the Consulate General of Italy in London and will be on view from 25 February to 12 April 2026.
*Between Us* brings together a selection of paintings created by di Massimo between 2020 and 2026, presenting them in dialogue with works from the museum's collection by major figures of Italian modernism, including Umberto Boccioni, Carlo Carrà, and Giorgio de Chirico. Rather than tracing a narrative of influence or artistic lineage, this exhibition juxtaposes contemporary and modern works, inviting the public to discover unexpected connections, contrasts, and moments of tension.
Di Massimo's paintings often revisit the same figures and situations, employing repetition and role-play to explore personal feelings and vulnerabilities. Characters reappear continuously across different works, allowing the artist to investigate themes such as intimacy, desire, power, and artistic identity. Placing great importance on images shaped by his own life and experience, di Massimo regards painting as a process that constructs meaning over time, through the return to and reworking of ideas. Family members and fellow artists, including Gray Wielebinski and Tai Shani, appear in his paintings, which are exhibited here for the first time in the United Kingdom.
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