04 July 2025 Athens Exhibition Says the Revolution Could Begin on Your Plate | 04 June 2025 Artforum, "Diana Anselmo" | 16 April 2025 Frieze, "Must-See: The Tears of Karl Lagerfeld" | 16 April 2025 Süddeutsche Zeitung Magazin, "Mit welcher Haltung kommt man in der Kunstwelt am weitesten, Maurizio Cattelan?" | 09 April 2025 The Berliner, "Consider Listening: An exhibition urging calm amidst outrage" | 02 April 2025 Wallpaper, "Aboard Gio Ponti's colourful Arlecchino train in Milan, a conversation about design with Formafantasma" | 26 March 2025 Frieze, "Diego Marcon’s Films Conjure a Familiar, Grotesque World" | 19 March 2025 Arts Hub, "1500-degree molten steel installation, inspired by Caravaggio, to drip from the ceiling of Mona" | 15 May 2024 Frieze, "Silvia Rosi Gives Voice to Her Parents’ Migration Story" | 30 March 2024 The Korea Times, "Foreigners Everywhere: Artist duo who inspired this year's Venice Biennale lands in Seoul" | 07 February 2024 Artnet News, "Ceramics Are as Contemporary as a Smartphone: Chiara Camoni on Her Tactile Sculptures"
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last update 05 November 2025
Maurizio Cattelan Awarded the Preis der Nationalgalerie 2026
The Preis der Nationalgalerie 2026 is being awarded to the Italian artist Maurizio Cattelan. The prize honors one of the most influential contemporary artists, who will be represented with his first solo exhibition in Germany. His works, which move between sculpture, installation, and conceptual practice, are characterized by sharp humor, bitter seriousness, and a profound reflection on social structures. The exhibition for the Preis der Nationalgalerie will open at the Neue Nationalgalerie during Berlin Art Week in September 2026.
Since the early 1990s, Maurizio Cattelan (b. 1960, Padua) has been one of the defining voices in international art. His iconic works—including *La Nona Ora* (1999), a figure of Pope John Paul II struck by a meteorite; *Him* (2001), a praying schoolboy with the face of Adolf Hitler; or *Untitled* (2003), an animatronic sculpture referencing the protagonist of Günter Grass's novel *The Tin Drum*—demonstrate how Cattelan utilizes the potential of shock, irritation, and moral ambivalence to raise central questions of our time: about guilt, responsibility, power, and collective trauma. Cattelan's artistic practice is permeated by an aesthetic of "comic existentialism"—a combination of humor and tragedy, irony and profundity that makes his works appear both accessible and abyssal. With this exhibition, Maurizio Cattelan returns to Berlin, where he co-curated the 4th Berlin Biennale in 2006.
The expert jury for the Preis der Nationalgalerie 2026 is composed of the international museum directors Emma Lavigne (Director of the Pinault Collection, Paris), Sam Keller (Director of the Fondation Beyeler, Basel), and Klaus Biesenbach (Director of the Neue Nationalgalerie). In addition to the expert jurors, the curators of the Nationalgalerie and the members of the FREUNDE der Nationalgalerie were entitled to make nominations.
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