04 July 2025 Athens Exhibition Says the Revolution Could Begin on Your Plate | 04 June 2025 Artforum, "Diana Anselmo" | 16 April 2025 Frieze, "Must-See: The Tears of Karl Lagerfeld" | 16 April 2025 Süddeutsche Zeitung Magazin, "Mit welcher Haltung kommt man in der Kunstwelt am weitesten, Maurizio Cattelan?" | 09 April 2025 The Berliner, "Consider Listening: An exhibition urging calm amidst outrage" | 02 April 2025 Wallpaper, "Aboard Gio Ponti's colourful Arlecchino train in Milan, a conversation about design with Formafantasma" | 26 March 2025 Frieze, "Diego Marcon’s Films Conjure a Familiar, Grotesque World" | 19 March 2025 Arts Hub, "1500-degree molten steel installation, inspired by Caravaggio, to drip from the ceiling of Mona" | 15 May 2024 Frieze, "Silvia Rosi Gives Voice to Her Parents’ Migration Story" | 30 March 2024 The Korea Times, "Foreigners Everywhere: Artist duo who inspired this year's Venice Biennale lands in Seoul" | 07 February 2024 Artnet News, "Ceramics Are as Contemporary as a Smartphone: Chiara Camoni on Her Tactile Sculptures"
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last update 08 May 2025
Italian Drawings on the Far East
Through a refined selection of works on paper by 44 artists, Le Divisament dou Monde brings together a series of drawings by Italian artists—from established masters to the most interesting and acclaimed emerging talents—in a journey that explores the visual, cultural, and symbolic influence of the Far East on contemporary Italian art.
The choice of such a specific medium—drawing—is also inspired by China’s profound tradition and sensitivity toward drawing and calligraphy, an attention that neither technological advancements nor the relative openness toward more Western visual forms have managed to diminish. Drawing and works on paper continue to hold a status of the highest importance, and even in their most recent variations and experimentations, they remain a mirror of contemporary Chinese culture.
Some of the works were created specifically for this project, conceived as a tribute to the spirit of exploration, observation, and knowledge that drove Marco Polo’s journey.
The exhibition is organized by the Fondazione Garuzzo, with the support of the Italian Ministry of Foreign Affairs and International Cooperation, the Embassy of Italy in Beijing, the Italian Cultural Institute in Beijing, and the Italian Cultural Institute in Shanghai. In collaboration with ICCF – Italy China Council Foundation and the Italian Chamber of Commerce in China. With the contribution of FlyRen Energy Group.
Image: Flavio Favelli, Blue Willow, 2025, Courtesy Francesca Minini Gallery
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