04 July 2025 Athens Exhibition Says the Revolution Could Begin on Your Plate | 04 June 2025 Artforum, "Diana Anselmo" | 16 April 2025 Frieze, "Must-See: The Tears of Karl Lagerfeld" | 16 April 2025 Süddeutsche Zeitung Magazin, "Mit welcher Haltung kommt man in der Kunstwelt am weitesten, Maurizio Cattelan?" | 09 April 2025 The Berliner, "Consider Listening: An exhibition urging calm amidst outrage" | 02 April 2025 Wallpaper, "Aboard Gio Ponti's colourful Arlecchino train in Milan, a conversation about design with Formafantasma" | 26 March 2025 Frieze, "Diego Marcon’s Films Conjure a Familiar, Grotesque World" | 19 March 2025 Arts Hub, "1500-degree molten steel installation, inspired by Caravaggio, to drip from the ceiling of Mona" | 15 May 2024 Frieze, "Silvia Rosi Gives Voice to Her Parents’ Migration Story" | 30 March 2024 The Korea Times, "Foreigners Everywhere: Artist duo who inspired this year's Venice Biennale lands in Seoul" | 07 February 2024 Artnet News, "Ceramics Are as Contemporary as a Smartphone: Chiara Camoni on Her Tactile Sculptures"
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last update 31 March 2026
In Ibiza, Ornaghi & Prestinari Launch a New Collaboration
Parra & Romero presents Giunti (Juntas) in Ibiza, the first solo exhibition by the Italian duo Ornaghi & Prestinari at the gallery’s space. The exhibition marks the beginning of the collaboration between the gallery and the artists, opening a dialogue centered on themes of connection, balance, and the relationships between objects, materials, and individuals.
Based in Milan, the duo’s practice unfolds as an ongoing exchange between art, design, and architecture, with a particular focus on the relationship between craftsmanship and contemporary production. The works on view explore what binds and sustains—both physically and emotionally—highlighting joints and connecting elements that often remain unnoticed yet are essential.
Within this framework, the concept of the “joint” takes on both structural and symbolic meaning, resonating strongly with Ibiza as a territory shaped by the constant tension between isolation and connection. The exhibition thus reflects on coexistence and interdependence, understood not as harmonious states, but as dynamic processes shaped by balance, friction, and relationality.
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