04 July 2025 Athens Exhibition Says the Revolution Could Begin on Your Plate | 04 June 2025 Artforum, "Diana Anselmo" | 16 April 2025 Frieze, "Must-See: The Tears of Karl Lagerfeld" | 16 April 2025 Süddeutsche Zeitung Magazin, "Mit welcher Haltung kommt man in der Kunstwelt am weitesten, Maurizio Cattelan?" | 09 April 2025 The Berliner, "Consider Listening: An exhibition urging calm amidst outrage" | 02 April 2025 Wallpaper, "Aboard Gio Ponti's colourful Arlecchino train in Milan, a conversation about design with Formafantasma" | 26 March 2025 Frieze, "Diego Marcon’s Films Conjure a Familiar, Grotesque World" | 19 March 2025 Arts Hub, "1500-degree molten steel installation, inspired by Caravaggio, to drip from the ceiling of Mona" | 15 May 2024 Frieze, "Silvia Rosi Gives Voice to Her Parents’ Migration Story" | 30 March 2024 The Korea Times, "Foreigners Everywhere: Artist duo who inspired this year's Venice Biennale lands in Seoul" | 07 February 2024 Artnet News, "Ceramics Are as Contemporary as a Smartphone: Chiara Camoni on Her Tactile Sculptures"
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last update 22 April 2025
Giorgia Garzilli at Plymouth Rock, Zurich
Close but no cigar
April 26 - June 28, 2025
Opening Friday, April 25 18 - 20h
Giorgia Garzilli paints desire. To have and to hold and to see and depict. The paradoxes of critique become the paintings themselves. These stretched fabric objects, lathered with pigment, aspired for in the same ways as the images rendered and the ambitions the images represent. Her works are aware of their place in the luxuries of our world, a reflexivity that allows them to enjoy themselves and us them, yet always leaving friction that we might contemplate the why. Like Steinbeck’s “The Pearl of the World”, born from grit into something staggering of yearning and attraction, Garzilli’s painting offers up quests for opulence and possible cost. Visualizing what our values really might be.
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