04 July 2025 Athens Exhibition Says the Revolution Could Begin on Your Plate | 04 June 2025 Artforum, "Diana Anselmo" | 16 April 2025 Frieze, "Must-See: The Tears of Karl Lagerfeld" | 16 April 2025 Süddeutsche Zeitung Magazin, "Mit welcher Haltung kommt man in der Kunstwelt am weitesten, Maurizio Cattelan?" | 09 April 2025 The Berliner, "Consider Listening: An exhibition urging calm amidst outrage" | 02 April 2025 Wallpaper, "Aboard Gio Ponti's colourful Arlecchino train in Milan, a conversation about design with Formafantasma" | 26 March 2025 Frieze, "Diego Marcon’s Films Conjure a Familiar, Grotesque World" | 19 March 2025 Arts Hub, "1500-degree molten steel installation, inspired by Caravaggio, to drip from the ceiling of Mona" | 15 May 2024 Frieze, "Silvia Rosi Gives Voice to Her Parents’ Migration Story" | 30 March 2024 The Korea Times, "Foreigners Everywhere: Artist duo who inspired this year's Venice Biennale lands in Seoul" | 07 February 2024 Artnet News, "Ceramics Are as Contemporary as a Smartphone: Chiara Camoni on Her Tactile Sculptures"
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last update 27 July 2024
Francesca Leone, ambassador of Italian art at G20
"I am deeply honored by this invitation," Leone told ANSA, "and grateful to the curators and MAXXI’s director for entrusting me with this role." Known for her use of reclaimed materials and environmental consciousness, Leone will present an installation of three giant steel roses—crafted from salvaged corrugated metal sourced from shacks and abandoned buildings—symbolizing humanity’s relationship with nature. The roses are in different shapes and colors: the largest rose is vibrantly painted and meticulously restored, representing nature healed through care; the middle rose is partially rusted with visible holes and tears, embodying partial or neglected intervention; the smallest rose is fully corroded, its form nearly dissolved, evoking irreversible decay. "This progression mirrors how artists transform materials—and how humanity can either nurture or abandon nature," Leone explained.
Titled 'A Rose is a Rose is a Rose' (after Gertrude Stein’s verse), the work embodies regeneration through reuse: the largest rose, once rusted, now blooms anew with applied color. Leone manipulates galvanized sheets—"alive and beautiful like skin, crumpled like paper"—to create deliberate dissonance: "The roses appear delicate as origami yet weigh heavy as iron, fragile yet enduring."
Exhibition curator Alka Pande emphasizes themes of tolerance, inclusivity, peaceful coexistence, and ecology—values central to Leone’s practice. The work’s layered meanings—care, redemption, and second chances—bridge human relationships and environmental stewardship (ANSA / Ida Bini)
other exhibitions
all the exhibitions
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exhibition05 November 2025
Maurizio Cattelan Awarded the Preis der Nationalgalerie 2026
agenda31 October 2025
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