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Federica Di Carlo participates in Art D'Égypte
to November 16, 2024
Art D'Égypte – Forever is Now .04
Al Haram, Giza Governorate 3512201, Egypt
Italian artist Federica Di Carlo – already winner of the 10th edition of the Italian Council, promoted by the Ministry of Culture with the project “I Will Watch You Burn” – will be one of the 12 protagonists of the 2024 international Art of Egypt exhibition, held from October 24 to November 16 in the evocative UNESCO heritage site of the Giza Plateau, among the iconic pyramids of Khufu, Khafre, and Menkaure.
The only Italian woman selected for this edition of Art D'Égypte, Federica Di Carlo will present “I See, I See”, a monumental installation which, at the foot of the pyramids, combines phenomenology, myth, and science, leading the audience into a profound dialogue between the ancient and the contemporary with a visionary site-specific work that traverses time and space to look beyond the visible, explore the universe above and below us, and rediscover the wonder of the world through new eyes.
“I See, I See” (an Anglo-Saxon phrase meaning “I see, I understand”) is a work that challenges the boundaries of traditional perception, creating a bridge between ancient Egyptian knowledge and contemporary explorations through the use of optical physics. Inspired by the Egyptian myth recounting the birth of humanity from the tears of the eye of the Sun God, with “I See, I See” Federica Di Carlo brings to life a device of other visions, rising like a gigantic observatory on the Giza Plateau, capable of exploiting the laws of physics and light to offer new points of view on the world.
Composed of a complex network of optical lenses, the structure interacts with the desert light, transforming the viewers’ visual experience and inviting them to rediscover the pyramid landscape through a new gaze. A meeting point of art, physics, and myth, but also an invitation to look beyond, Federica Di Carlo’s work becomes not only a tribute to the ancient Egyptian civilization but also an inquiry into our relationship with the natural and cosmic world.
Federica Di Carlo thus brings contemporary Italian art to the heart of Egypt’s UNESCO heritage, supported by a prominent exhibition resume including participations in prestigious contexts both in Italy and abroad. Indeed, many artistic and research contexts have hosted her works—artistic investigations between phenomenology, physics, science, and the human soul to explore and narrate man and humanity by “playing” with ancestral and universal dimensions: the MAXXI Museum in Rome, where she presented the trailer for her project “I Will Watch You Burn” in 2023; the National Gallery of Modern and Contemporary Art in Rome, where in 2022 she exhibited “I Wanted the Sun”; the Triennale di Milano during the event “The Time of Women” in 2018, where she presented the work “Flow”; We Lost The Sea, collateral of Manifesta 12 in Palermo, 2018; the Tour de la Babote in Montpellier, France, 2017, with the work “The Sea is Blue Because You Want to Know Why the Sea is Blue”; the Serlachius Museum in Mänttä, Finland, 2019, with the exhibition “The Quest of Happiness”; the Museum De Domijnen, Sittard, Netherlands, 2017, for the exhibition “Encovention Europe: Art to Transform Ecologies, 1957-2017”.
Thanks to decades-long collaborations with internationally renowned scientists and physicists, such as those at MIT, ESO, INAF, and CERN, Federica Di Carlo’s art skillfully blends scientific research with the poetic and symbolic dimension of art, investigating humanity’s relationship with nature, boundaries, environment, power, and the unknown, measuring their reciprocal connections and disconnections poetically. The artist adopts a vertical gaze constantly oscillating between the most intimate human dimension and its cosmic relevance. Her works often present themselves as complex systems characterized by a wide range of natural elements, inanimate things, physical phenomena, and technologies. Her work cycles on a theme may last several years; they are conceived as interconnected worlds where each work is a continuation, implementation, or implosion of previous ones. These are permeable symbolisms, sometimes contingent and often with a part of the work entrusted to nature’s control rather than the artist’s. The viewers assist through their senses to complete the artwork’s process.
The fourth edition of Forever Is Now, Egypt’s flagship art exhibition, returns this October under the aegis of the Ministry of Culture, the Ministry of Tourism and Antiquities, and the Ministry of Foreign Affairs, with the patronage of UNESCO. Scheduled from October 24 to November 16, 2024, Forever Is Now.04 brings together a selected group of 12 international artists, each contributing their unique voice to a collective dialogue that transcends time and cultural boundaries. Founded by Franco-Egyptian curator Nadine Abdel Ghaffar, Art D’Égypte has become a reference point for the Egyptian and international cultural scene, committed to enhancing and promoting the country’s rich artistic scene and bridging the gap between Egyptian artists and the international art panorama. Forever Is Now.04 takes place under the aegis of the Egyptian Ministry of Culture, Ministry of Tourism and Antiquities, and Ministry of Foreign Affairs, with UNESCO patronage. Federica Di Carlo’s work “I See, I See” was realized with the support of the Ministry of Foreign Affairs, the Italian Cultural Institute of Cairo, Gestione Silo, and Collezione Motta.
“I See, I See” will be publicly inaugurated on October 24, 2024, and will remain on display at the Giza Plateau for the entire duration of the event, until November 16.
(From the press release)
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The exhibition will be on display at the Kaunas City Museum and the Meno parkas Gallery from 12 September to 9 November 2025. It offers a stimulating dialogue between Italian artists — such as the Atelier dell'Errore collective, Arnold Holzknecht (Val Gardena, 1960) and Ruth Beraha (Milan, 1986) — and Lithuanian artists, including Aistė Ambrazevičiūtė, Andrius Arutiunian and Maximilian Oprishka.
The exhibition explores the complex relationship between nature, myth, technology and human intervention, inviting viewers to reflect on ecological processes, human stories and possible futures. The selected works offer new perspectives on the world, questioning the anthropocentric view and revealing the tension between beauty, instability and mystery.
The project is part of a broader two-year programme (2025-2026) dedicated to cultural exchange between Italy and Lithuania, aimed at promoting the artistic talents of both countries. The collaboration will conclude in 2026, when three Lithuanian artists will be guests at the 10th Gherdëina Biennale in Val Gardena (BZ), from 29 May to 13 September.
Atelier dell'Errore (AdE) is an artistic collective based in Reggio Emilia, dedicated to the visual and performing arts. Founded in 2015 by artist Luca Santiago Mora, the group now consists of 11 young neurodivergent artists. exhibition18 September 2025

Curated by Sam Bardaouil and Till Fellrath, the biennial will explore the concept of yearning and introduce 54 artists from 35 cities, including 33 new works and site-specific installations. Among the artists are two Italians, Monia Ben Hamouda (Milan, 1991) and Jacopo Benassi (La Spezia, 1970) . The exhibition aims to amplify the voices of younger and mid-career artists, with about half of the participants born after 1984.
While choosing sculpture as her predominant medium, Ben Hamouda's work (represented by Chert Lüdde, Berlin; Selma Feriani, Tunis, London) is oriented towards a synthesis of different expressive languages, using different materials, primarily spices, initially used as pigments and then integrated into the work for their olfactory qualities. Many elements of her work are linked to her personal and family history, becoming a vehicle for reflection on the relationship between different cultures, which often generates misunderstandings and stereotypes. Jacopo Benassi (represented by Francesca Minini, Milan) is an Italian artist and photographer. He has been performing since the 1980s and began his research in underground music circles, developing over time a personal and direct visual language based on the use of flash and a raw, instinctive aesthetic. His work ranges from photography to performance, painting and installation, always maintaining an intimate and material approach. exhibition03 September 2025

On the occasion of the exhibition, NYsferatu – Symphony of a Century by Andrea Mastrovito will be screened following the opening on September 4th at 9:30 PM at Kino am der Königstadt, Straßburger Str. 55, Berlin, with live soundscapes by Thee Balancer feat. Matjö. exhibition29 July 2025

Autobiographical in nature, Silva’s new paintings are deeply intertwined with her relationship to psychoanalysis. The daughter of two psychoanalysts, Silva has been immersed in the practice since childhood. For Silva, psychoanalysis has become a consistent interpretative lens that informs how she looks at the world. It is an unceasing gaze that alternates between an extreme tolerance of humanity, and an understanding of the intolerance that same humanity is able to enact. This analytic framework translates to an analytic approach to painting, in which images are deconstructed, and reconfigured in constellatory compositions.
Figurative details are dislocated within abstract landscapes, and collaged elements, often physically extracted and repurposed from her previous paintings, dot the surface of her works. Shaped by fields of negative space, Silva’s paintings initially present as fragmentary, though when brought together, they begin to form a deeply intimate narrative that spans two distinct phases of her psychoanalytic journey. Conceived as episodes representing specific moments in her life, Silva’s paintings move from the tensions of her youth, to the anxieties of adulthood, illness, nostalgia, and anger, forming distinct stations of a personal Via Crucis. Encouraging the viewer to immerse themselves freely with the origin and content of each work, detailed information sheets are available during the duration of the exhibition.
Writing on Silva’s work, Bice Curiger said: “Sofia Silva is a master of shifting perspectives, where forms hover on the brink of transformation, poised between opposing states. At first, we are reassured by the delicate, the intimate, the ethereal: a quiet counterpoint to ostentatious gesture. Yet as we venture further into her universe, even these certainties dissolve, and we find ourselves holding our breath at the audacity of her grand-scale compositions, with their infinitely subtle tonalities and vast, uncharted voids. As Meret Oppenheim once wrote in a poem: ’with an enormous little, much.’”
Sofia Silva (b. 1990, Padua) lives and works in Padua. Past solo exhibitions of her work include Notizie da lei, Barbati Gallery, Venice, 2025, Melania Pieve Mostarda, Una Boccata d’Arte - Fondazione Elpis, Milan, 2024, and Consolations, Case Chiuse by Paola Clerico, Turin, 2023. Silva received a BFA in Visual Arts and Theater in 2012, and MA in the History of Art and Preservation of Artistic Heritage in 2016, and in 2025, a BPsych in Techniques and Methods of Psychological Science. In addition to her artistic practice, Silva has written extensively on art for the past decade. Her texts have been commissioned by institutions including La Quadriennale di Roma, Fondation Vincent Van Gogh Arles, KW Institute for Contemporary Art, Van Gogh Museum Amsterdam, and Kunsthalle Wien.