04 July 2025 Athens Exhibition Says the Revolution Could Begin on Your Plate | 04 June 2025 Artforum, "Diana Anselmo" | 16 April 2025 Frieze, "Must-See: The Tears of Karl Lagerfeld" | 16 April 2025 Süddeutsche Zeitung Magazin, "Mit welcher Haltung kommt man in der Kunstwelt am weitesten, Maurizio Cattelan?" | 09 April 2025 The Berliner, "Consider Listening: An exhibition urging calm amidst outrage" | 02 April 2025 Wallpaper, "Aboard Gio Ponti's colourful Arlecchino train in Milan, a conversation about design with Formafantasma" | 26 March 2025 Frieze, "Diego Marcon’s Films Conjure a Familiar, Grotesque World" | 19 March 2025 Arts Hub, "1500-degree molten steel installation, inspired by Caravaggio, to drip from the ceiling of Mona" | 15 May 2024 Frieze, "Silvia Rosi Gives Voice to Her Parents’ Migration Story" | 30 March 2024 The Korea Times, "Foreigners Everywhere: Artist duo who inspired this year's Venice Biennale lands in Seoul" | 07 February 2024 Artnet News, "Ceramics Are as Contemporary as a Smartphone: Chiara Camoni on Her Tactile Sculptures"
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last update 18 April 2025
Edoardo Tresoldi among the 5 artists invited to the competition for the Lamb of the Sagrada Familia
The exhibition center Museu Diocesà de Barcelona, also known as Casa de la Almoina, presents until June 9, 2025, the exhibition dedicated to the five artistic proposals to complete the tower of Jesus Christ of the Sagrada Familia. The work will be placed inside the cross at the top of the tower and will represent the Lamb of God.
This is an essential element that Antoni Gaudí had described in his projects for the Basilica, as evidenced in the Temple Albums, published by the association for the development of the Temple while the architect was alive, where there is an explicit reference to the Lamb of God.
The proposals of five international artists
On September 20, 2023, the Board of Directors of the Junta Constructora de la Sagrada Família decided to announce a competition for the submission of artistic proposals conceived for the Lamb (Agnus Dei). The artistic selection committee invited the Italians Edoardo Tresoldi and Andrea Mastrovito, whose work was chosen for realization, the Portuguese David Oliveira, and the Spaniards Gonzalo Borondo and Jordi Alcaraz to participate in the competition.
Edoardo Tresoldi’s proposal
Edoardo Tresoldi proposed a sculptural work interpreting the triumphant and risen Lamb, evoking the mystery of death and resurrection.
In the Apocalypse of Saint John, the Lamb is described as slain but victorious, at the center of the heavenly throne and keeper of divine knowledge. The sculpture is conceived to develop inside an octagonal-based parallelepiped wrapped in a silvery mist that expands like an exploded crystal.
The Lamb, standing, crosses a pillar of light descending from the sky. The mist clears revealing the presence of an empty space, shaped like an egg, symbol of life beyond sacrifice. Tresoldi conceives this geometric structure as an organism of light that hides and reveals at the same time, in a play of transparencies and reflections.
The central components of the work are made of metal mesh with mirrored inserts, creating a dialogue between matter and luminosity. The metallic panels supporting it are integrated into a monometric whole, where light defines the meaning of the work and transforms the tower into a symbol of transcendence and hope.
other exhibitions
all the exhibitions
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exhibition05 November 2025
Maurizio Cattelan Awarded the Preis der Nationalgalerie 2026
agenda31 October 2025
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exhibition15 October 2025
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