04 July 2025 Athens Exhibition Says the Revolution Could Begin on Your Plate | 04 June 2025 Artforum, "Diana Anselmo" | 16 April 2025 Frieze, "Must-See: The Tears of Karl Lagerfeld" | 16 April 2025 Süddeutsche Zeitung Magazin, "Mit welcher Haltung kommt man in der Kunstwelt am weitesten, Maurizio Cattelan?" | 09 April 2025 The Berliner, "Consider Listening: An exhibition urging calm amidst outrage" | 02 April 2025 Wallpaper, "Aboard Gio Ponti's colourful Arlecchino train in Milan, a conversation about design with Formafantasma" | 26 March 2025 Frieze, "Diego Marcon’s Films Conjure a Familiar, Grotesque World" | 19 March 2025 Arts Hub, "1500-degree molten steel installation, inspired by Caravaggio, to drip from the ceiling of Mona" | 15 May 2024 Frieze, "Silvia Rosi Gives Voice to Her Parents’ Migration Story" | 30 March 2024 The Korea Times, "Foreigners Everywhere: Artist duo who inspired this year's Venice Biennale lands in Seoul" | 07 February 2024 Artnet News, "Ceramics Are as Contemporary as a Smartphone: Chiara Camoni on Her Tactile Sculptures"
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last update 04 October 2024
Diego Marcon's first solo show in Austria
La Gola (2024) is structured by a series of letters between two correspondents, Gianni and Rossana. Over the course of eight letters, Gianni describes the successive courses of an exquisite banquet, while Rossana gives an account of the progressive decline of her mother’s health. The two characters are played by hyperrealistic mannequins, that appear motionless with their eyes modelled and animated in CGI. Their voices are accompanied by an original score composed by Federico Chiari. The music was performed on a Pietro Corna organ and recorded at the Cattedrale di Sant’Alessandro Martire in Bergamo. Drawing upon themes familiar from art history, Marcon playfully combines graphic accounts of cuisine and disease against an elaborate and energetic score, using language, voices and music to create dramatic tension.
Produced in partnership with Centre d’Art Contemporain Genève and Kunstverein in Hamburg, its presentation is Marcon’s first solo exhibition in Austria. This exhibition is accompanied by a new book, jointly published by the three institutions with essays by Charlie Fox, Gianni Revello and Sofia Silva.
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