04 July 2025 Athens Exhibition Says the Revolution Could Begin on Your Plate | 04 June 2025 Artforum, "Diana Anselmo" | 16 April 2025 Frieze, "Must-See: The Tears of Karl Lagerfeld" | 16 April 2025 Süddeutsche Zeitung Magazin, "Mit welcher Haltung kommt man in der Kunstwelt am weitesten, Maurizio Cattelan?" | 09 April 2025 The Berliner, "Consider Listening: An exhibition urging calm amidst outrage" | 02 April 2025 Wallpaper, "Aboard Gio Ponti's colourful Arlecchino train in Milan, a conversation about design with Formafantasma" | 26 March 2025 Frieze, "Diego Marcon’s Films Conjure a Familiar, Grotesque World" | 19 March 2025 Arts Hub, "1500-degree molten steel installation, inspired by Caravaggio, to drip from the ceiling of Mona" | 15 May 2024 Frieze, "Silvia Rosi Gives Voice to Her Parents’ Migration Story" | 30 March 2024 The Korea Times, "Foreigners Everywhere: Artist duo who inspired this year's Venice Biennale lands in Seoul" | 07 February 2024 Artnet News, "Ceramics Are as Contemporary as a Smartphone: Chiara Camoni on Her Tactile Sculptures"
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last update 09 March 2026
Diego Marcon's first exhibition in Paris at Lafayette Anticipations
Prom, at Lafayette Anticipations, from April 1st - July 19th 2026, is Diego Marcon's first solo exhibition in Paris. The exhibition presents four films made using a combination of animation techniques, props and animated figurines: The Parents' Room (2021), Dolle (2023), La Gola (2024) and Krapfen (2025). Each explores the mechanisms of emotion production by drawing on different film genres such as musicals, burlesque, melodrama and horror films. All are rooted in the intimacy of the home, questioning the norms and taboos that govern human relationships. The characters, often ambivalent, evolve in grotesque, sometimes violent situations that provoke both discomfort and empathy. However, the artist imposes neither morality nor conclusion, avoiding any form of resolution. For the first time, Diego Marcon unveils some of the objects created and used in the making of his films. Exhibited behind the scenes, animatronics, prosthetics, furniture, and sets shatter the illusion of the moving image and question our perception of truth and the trust we place in images. Diego Marcon's work evokes feelings of empathy and vulnerability, without moralizing or offering a fixed conclusion. The exhibition, presented at Lafayette Anticipations, brings together his films set in domestic and private spaces. These intimate, closed-off worlds explore relationships between individuals and probe the power dynamics that shape them. The title of the exhibition, Prom, humorously refers to the American ritual of the end-of-year prom, a popular celebration that marks the transition to adulthood. His work draws on different cinematic vocabularies, notably from musicals, melodramas, horror films, and slapstick comedies.
other exhibitions
all the exhibitions
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