04 July 2025 Athens Exhibition Says the Revolution Could Begin on Your Plate | 04 June 2025 Artforum, "Diana Anselmo" | 16 April 2025 Frieze, "Must-See: The Tears of Karl Lagerfeld" | 16 April 2025 Süddeutsche Zeitung Magazin, "Mit welcher Haltung kommt man in der Kunstwelt am weitesten, Maurizio Cattelan?" | 09 April 2025 The Berliner, "Consider Listening: An exhibition urging calm amidst outrage" | 02 April 2025 Wallpaper, "Aboard Gio Ponti's colourful Arlecchino train in Milan, a conversation about design with Formafantasma" | 26 March 2025 Frieze, "Diego Marcon’s Films Conjure a Familiar, Grotesque World" | 19 March 2025 Arts Hub, "1500-degree molten steel installation, inspired by Caravaggio, to drip from the ceiling of Mona" | 15 May 2024 Frieze, "Silvia Rosi Gives Voice to Her Parents’ Migration Story" | 30 March 2024 The Korea Times, "Foreigners Everywhere: Artist duo who inspired this year's Venice Biennale lands in Seoul" | 07 February 2024 Artnet News, "Ceramics Are as Contemporary as a Smartphone: Chiara Camoni on Her Tactile Sculptures"
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last update 26 June 2025
At Palacio Libertad in Buenos Aires, the exhibition "Pittura italiana oggi. Una nuova scena"
Conceived by Triennale Milano and curated by Damiano Gullì—Curator of Contemporary Art and Public Programs at the Milanese institution—the exhibition is being shown outside Italy for the first time in Buenos Aires. Its presentation in the Argentine capital has been made possible through close collaboration with the Italian Cultural Institute, which curated and coordinated the local staging.
Prima tappa del tour internazionale - che proseguirà poi in Brasile e in Messico - l’esposizione rappresenta un momento chiave di valorizzazione della pittura italiana contemporanea e di dialogo con il pubblico argentino, in linea con la missione culturale dell’Istituto. La presenza dell’artista Giulia Mangoni, che ha realizzato un’opera site-specific per l’allestimento a Buenos Aires, favorisce inoltre lo scambio diretto tra le scene artistiche dei due Paesi.
Italian Painting Today: A New Scene evolved from the collective exhibition of the same name presented at Triennale Milano in 2023. It focuses on a new generation of Italian artists—born between 1990 and the 2000s—who express themselves through the medium of painting. The exhibition aims to showcase, promote, and celebrate the wealth and complexity of contemporary Italian painting in all its forms and dimensions. The project is part of Triennale’s ongoing commitment to promoting and showcasing contemporary Italian art through solo and group exhibitions, public programs, and new acquisitions for the institution’s permanent collection.
The show features works by 27 artists: Beatrice Alici, Bea Bonafini,Roberto de Pinto, Alice Faloretti,Alessandro Fogo, Andrea Fontanari, Giorgia Garzilli, Genuardi/Ruta (duo comprised of Antonella Genuardi and Leonardo Ruta), Emilio Gola, Cecilia Granara, Diego Gualandris, Viola Leddi, Giulia Mangoni, Andrea Martinucci, Pietro Moretti, Ismaele Nones, Jem Perucchini, Edoardo Piermattei, Aronne Pleuteri, Giuliana Rosso, Davide Serpetti, Mario Silva, Sofia Silva, Marta Spagnoli, Maddalena Tesser, and Eva Chiara Trevisan.
Organized into five sections—Alone/Together; History, Stories, and Tradition; Metaphysics of the Everyday; In Between; and Forms, Colors, Time, Matter—the exhibition explores themes such as representation and self-representation; the relationship with everyday objects; disciplinary crossovers and shifts; the reinterpretation and distortion of traditional techniques and iconography; the fluid interplay between abstraction and figuration; and the emergence of new forms of abstraction. The result is a multifaceted portrait of contemporary painting in Italy.
other exhibitions
all the exhibitions
Paola Pivi’s exhibition I don’t like it, I love it opens at AGWA in Australia
exhibition05 November 2025
Maurizio Cattelan Awarded the Preis der Nationalgalerie 2026
agenda31 October 2025
"Art Under 35: The Foreign Challenge"
exhibition15 October 2025
Marinella Senatore: Memory and Celebration at the Estorick Collection