This site uses tracking cookies to evaluate the origin and behavior of the user.
Click on ACCEPT to allow the use of Cookies or click on DECLINE to continue anonymously

04 July 2025 Athens Exhibition Says the Revolution Could Begin on Your Plate | 04 June 2025 Artforum, "Diana Anselmo" | 16 April 2025 Frieze, "Must-See: The Tears of Karl Lagerfeld" | 16 April 2025 Süddeutsche Zeitung Magazin, "Mit welcher Haltung kommt man in der Kunstwelt am weitesten, Maurizio Cattelan?" | 09 April 2025 The Berliner, "Consider Listening: An exhibition urging calm amidst outrage" | 02 April 2025 Wallpaper, "Aboard Gio Ponti's colourful Arlecchino train in Milan, a conversation about design with Formafantasma" | 26 March 2025 Frieze, "Diego Marcon’s Films Conjure a Familiar, Grotesque World" | 19 March 2025 Arts Hub, "1500-degree molten steel installation, inspired by Caravaggio, to drip from the ceiling of Mona" | 15 May 2024 Frieze, "Silvia Rosi Gives Voice to Her Parents’ Migration Story" | 30 March 2024 The Korea Times, "Foreigners Everywhere: Artist duo who inspired this year's Venice Biennale lands in Seoul" | 07 February 2024 Artnet News, "Ceramics Are as Contemporary as a Smartphone: Chiara Camoni on Her Tactile Sculptures"

exhibition

back
Anna Franceschini at the Kunstverein Gartenhaus in Vienna

last update 28 July 2025

Anna Franceschini at the Kunstverein Gartenhaus in Vienna

From September 4 to November 15, Kunstverein Gartenhaus presents "Nights Out", Anna Franceschini’s first institutional solo exhibition in Vienna, jointly curated by Attilia Fattori Franchini and Ilaria Gianni.

In her practice, Anna Franceschini explores the multiple ways of displaying commodities. Underlying her exploration of reality is cinema through its constituent elements: movement, light, framing, and editing. Kinetic sculptures, choreographed performances, “bachelor(ette) machines”—which inject femininity into the Duchampian idea of apparatus, and Xerox copies, are for the artist a “cinema by other means.” Franceschini’s work seeks to expand the concept of animation in sculptural terms. Reversing the ends of the discussion about “cinema as machine,” she redirects the gaze toward the hypothesis of a “machine as cinema.” By creating sculptures intended as moving images, she turns commodities into quasi-living beings and fabricates devices whose subjectivity is emphasized within a mise-en-scène.

The project is supported by the Directorate-General for Contemporary Creativity of the Italian Ministry of Culture under the Italian Council program (13th edition, 2024), which aims to promote Italian contemporary art worldwide.

other exhibitions

all the exhibitions