04 June 2025 Artforum, "Diana Anselmo" | 16 April 2025 Frieze, "Must-See: The Tears of Karl Lagerfeld" | 16 April 2025 Süddeutsche Zeitung Magazin, "Mit welcher Haltung kommt man in der Kunstwelt am weitesten, Maurizio Cattelan?" | 09 April 2025 The Berliner, "Consider Listening: An exhibition urging calm amidst outrage" | 02 April 2025 Wallpaper, "Aboard Gio Ponti's colourful Arlecchino train in Milan, a conversation about design with Formafantasma" | 26 March 2025 Frieze, "Diego Marcon’s Films Conjure a Familiar, Grotesque World" | 19 March 2025 Arts Hub, "1500-degree molten steel installation, inspired by Caravaggio, to drip from the ceiling of Mona" | 15 May 2024 Frieze, "Silvia Rosi Gives Voice to Her Parents’ Migration Story" | 30 March 2024 The Korea Times, "Foreigners Everywhere: Artist duo who inspired this year's Venice Biennale lands in Seoul" | 07 February 2024 Artnet News, "Ceramics Are as Contemporary as a Smartphone: Chiara Camoni on Her Tactile Sculptures"
Marilena Pirrelli
Author
Journalist for Il Sole 24 Ore in the weekly finance and investment publication Plus24. Creator and editor since 2007 of the ArtEconomy24 section, in print and online, dedicated to the economics of art and art market. In 2011, she designed the Master in Economics and Management of Art and Cultural Assets for 24Ore Business School in Milan and Rome, where she serves as academic coordinator and lecturer. She teaches in various master's programs, participates as an art market expert in the Permanent Roundtable for Artwork Circulation at the Italian Ministry of Culture (MiC), and is a keynote speaker at conferences and workshops. She has written several publications, including "The sign of art in companies", Marsilio Arte 2024, "Economy of art", Egea 2023.
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